Common Music Group revealed its This autumn and FY 2024 outcomes on Thursday (March 6), posting general revenues in FY 2024 (throughout recorded music, publishing, and extra) of EUR €11.834 billion (USD $12.81bn), up 7.6% YoY.
The corporate’s recorded music subscription revenues, in the meantime, hit EUR €4.624 billion yearly, up 9.1% YoY, which represented the equal of USD $5.00 billion, in accordance with common alternate charges for the yr as per IRS knowledge.
The agency’s adjusted EBITDA hit €2.661 billion ($2.88bn), up 13.8% YoY.
In his opening remarks on UMG’s earnings name on Thursday, Chairman and CEO Sir Lucian Grainge famous that UMG has “posted wholesome income and double-digit adjusted EBITDA development for each yr since 2021, when UMG grew to become a stand-alone public firm”.
He added: “On the coronary heart of our success is, in fact, the artistic brilliance of our artists and songwriters. The worldwide consumption of the music of our artists and songwriters stays merely extraordinary. They’re shaping tradition throughout all the globe.”
Grainge additionally defined on the corporate’s earnings name how “breaking new artists is prime to [UMG’s] tradition”.
Added Grainge: “We’re very happy with it. All of our groups world wide share a ardour for doing simply that. And in 2024, strategic funding in new expertise continued to provide exceptional outcomes.
“One highly effective reality we’re particularly happy with; UMG broke the 2 greatest breakthrough artists on the planet final yr: Sabrina Carpenter and Chappell Roan.”
Chappell Roan was named Finest New Artist on the Grammys final month. Grainge famous on the decision that “UMG’s artists and songwriters gained a record-breaking complete of greater than 50 Grammys.”
Grainge devoted the second half of his opening assertion to the expansion methods outlined by UMG’s management group on the firm’s Capital Markets Day in September. In line with Grainge, the corporate is “already turning these methods into realities…” and highlighted three explicit initiatives on Thursday’s earnings name.
The primary is “working with [UMG’s] DSP companions to drive the thrilling new period of sustained development we’re calling streaming 2.0”.
Second, is UMG’s give attention to rising its artist and label providers enterprise, which, he stated, enhances the corporate’s frontline label enterprise and “supplies a broad set of assets to a variety of artists, labels, and entrepreneurs.”
The third technique highlighted by Grainge on the decision was the growth of UMG’s international footprint by “partnering with native labels, creating native artists, and thru M&A.”
Grainge pointed to Virgin Music Group’s latest strategic partnerships with Hungama Digital Media and RainLabs, that are based mostly in India and Ghana, respectively.
He additionally referenced Common Music Larger China’s strategic distribution settlement with impartial label Trendy Sky. UMG additionally lately signed an unique international settlement with Liu Huan, who Grainge famous, is “often called the King of Chinese language Pop.”
In the meantime, highlighting Common”s latest acquisition of a majority stake in Japan’s A-Sketch, Grainge defined that UMG can be “increasing [its] presence in established markets world wide” the place “native repertoire and adjoining companies proceed to current thrilling development alternatives.”
Sir Lucian Grainge, plus Boyd Muir, UMG’s Chief Working Officer and Chief Monetary Officer, and Michael Nash, Government Vice President and Chief Digital Officer, have been grilled by analysts on the corporate’s earnings name on Thursday.
Right here’s what else was stated on the decision…
1. Sir Lucian Grainge says that streaming 2.0 ‘will construct on the large scale we’ve achieved up to now in streaming’s preliminary stage’
Common Music Group launched the idea of Streaming 2.0 on the firm’s Capital Markets Day for buyers in September. It was defined that for UMG, ‘Streaming 2.0’ represents a brand new period of digital music held on adjustments, together with:
- (a) Streaming subscription choices turning into ‘segmented’, with dearer choices for music ‘superfans’;
- (b) Subscription ARPU (common income per person) shifting upwards throughout music platforms, partly on account of the aforementioned ‘superfan’-targeted choices, and partly on account of future streaming worth rises.
Talking with analysts on Thursday’s earnings name, Grainge defined that Streaming 2.0 will “construct on the large scale we’ve achieved up to now in streaming’s preliminary stage”.
He added: “This subsequent stage of streaming will see it evolve right into a extra sustainable and rising artist-centric ecosystem that improves monetization and delivers nice experiences for followers.
“On the identical time, enhanced client acquisition methods will drive better conversion by followers from free to paid. After which from paid on to tremendous premium tiers enabling us to phase and [improve] buyer worth at larger than ever ranges.”
“We’re extraordinarily inspired by this preliminary implementation of streaming 2.0.”
Sir Lucian Grainge
Grainge defined, nevertheless, that the “execution” of Streaming 2.0 “requires a extremely nuanced strategy and one which adapts to the particular traits of every particular person platform” together with “distinct subscriber base and clearly, the regional variations, tradition, language, types, genres, and many others.”
He informed analysts he’s “delighted to report that [UMG’s] work to usher in streaming 2.0 is properly underway,” noting that UMG accomplished its first “main new DSP deal to include the important thing rules of the technique” by the top of 2024. That first deal was with Amazon Music. A take care of Spotify adopted in February.
Grainge defined that these “agreements present for brand new paid subscription tiers, the bundling of music and non-music content material and a richer audio and visible content material catalog that can profit artists, songwriters, platforms and customers alike”.
He added: “We’re extraordinarily inspired by this preliminary implementation of streaming 2.0, aligning our targets with these of our platform companions, each the Spotify and Amazon offers are win-win initiatives that can ship significant development and profit all the music ecosystem.”
2. UMG is dedicated to being “the premier vacation spot for the business’s finest entrepreneurs and independents….”
One of many development methods outlined by Sir Lucian Grainge throughout his opening remarks on Thursday’s name was what he known as “the growing focus [UMG’s] inserting on increasing our artist and label providers enterprise.”
Added Grainge: “The impartial providers house is extremely aggressive and a rising a part of the business. The rationale so many impartial music entrepreneurs actively search to accomplice with UMG, once they have extra alternate options than ever earlier than, is that we offer what they’re in search of; probably the most progressive creatives and the best assets to advance their artist careers and obtain their monetary targets.
“We’re dedicated to making sure that UMG continues because the premier vacation spot for the business’s finest entrepreneurs and independents. In spite of everything, UMG’s core is a group of a few of the best labels in music that at all times began as impartial.
“And as we speak, we proceed to foster a tradition whose highest precedence is respect for artists and entrepreneurs.”
“By investing in companies like Downtown that may and do assist as we speak’s main music entrepreneurs, we are able to additionally assist to advocate for a sophisticated insurance policies and apply that can additional defend and develop all the music system.”
Sir Lucian Grainge
Grainge identified an instance of the corporate’s “efforts on this route,” highlighting the information of Virgin Music Group’s settlement to amass Downtown Music Holdings for $775 million.
“We count on the deal to shut later this yr,” stated Grainge, “at which level Virgin Music Group and Downtown will supply a broadened and enhanced suite of providers to shoppers, together with digital and bodily distribution, launch advertising and marketing, enterprise intelligence, neighboring rights, synchronization, royalties and royalties administration”.
Added Grainge: “By investing in companies like Downtown that may and do assist as we speak’s main music entrepreneurs, we are able to additionally assist to advocate for superior insurance policies and apply that can additional defend and develop all the music system.”
3. UMG spent over $1 billion on investments final yr. Anticipate ‘comparable funding ranges within the subsequent few years’.
Boyd Muir, UMG’s CFO & COO, revealed on the decision that Common spent simply over EUR €1 billion (USD $1.08bn) on investments in 2024, throughout each catalog and different acquisitions.
He supplied what he known as “a bit extra coloration” on UMG’s investments final yr, noting that in 2024, the music firm spent EUR €266 million ($287.8m) on catalog acquisitions particularly, up from EUR €178 million ($192.6m) in 2023.
Muir additionally revealed on the decision UMG spent EUR €186 million ($201.29m) on royalty advance funds in 2024, in comparison with EUR €100 million ($108.22m) in 2023 (see under).
Muir added that UMG’s “catalog spending in 2024 included EUR €73 million from a beforehand disclosed 2023 deal that was in escrow till early 2024 in addition to the acquisition of the remaining stake in RS Group, amongst different gadgets”.
Common acquired a 70% stake within the recorded music catalog of Thailand’s RS Group for round USD $45 million (plus a possible ~$5m in bonus funds) in 2023.
As revealed by MBW in September, UMG acquired the remaining 30% of RS Group’s catalog for roughly USD $18 million, with a possible extra bonus price of roughly USD $2 million. The full sum spent by UMG to take full possession of the RS recordings portfolio was roughly USD $65-$70 million.
Muir famous on Thursday’s name that the rest of UMG’s 2024 funding spending “centered largely on offers, which push ahead UMG’s strategic initiatives”.
Offers known as out by Muir included UMG’s majority acquisition of Nigeria-based file label Mavin, the undisclosed minority stake in Complicated Networks, $240 million funding in M&A automobile Chord, and the acquisition of the remaining stake in [PIAS].
In response to a query from Goldman Sachs‘ Lisa Yang in regards to the firm’s funding technique, and the way a lot it plans to spend within the coming years, Muir confirmed: “It is best to count on comparable funding ranges within the subsequent few years”.
Muir additionally defined that UMG is investing in “geographies” that are “evolving” and the place UMG sees “the consumption sample shifting in direction of paid subscription”.
Added Muir: “We’re our relative share in these geographies. We wish to make sure that we’re positioned in these markets at an analogous degree to how we’re positioned within the extra developed market. M&A is [how] we are going to pursue it.”
He added that UMG can be pursuing “M&A in relation to different strategic initiatives” and highlighted UMG’s funding in Complicated Networks as “taking [UMG] into the zone the place music meets tradition, meets commerce and e-commerce and having the connection with the superfan”.
4. Sir Lucian Grainge says that the place DPS go geographically, UMG goes “with them hand-in-hand, investing in native expertise”.
Sir Lucian Grainge, weighed in on the reply to the query about UMG’s investments and “strategic initiatives”.
He defined that the growth of licensed streaming globally and the provision of market-level knowledge have impacted the decision-making behind UMG’s M&A and artist growth methods in varied markets.
“There’s a big story when it comes to what occurred prior to now over the past three, 4, 5 a long time insofar as a number of the markets and areas the place we’re investing are the place there was no funding [previously] as a result of there was large piracy and there was no safety for copyright and IP”, stated Grainge.
He added: “So the place markets evolve by means of music within the cloud and digital distribution and international platforms like Amazon, Apple, Spotify, and many others; the place they go, we go together with them hand-in-hand, investing in native expertise.”
Commenting additional on the corporate’s geographic M&A technique, Grainge continued: “There are some markets the place there are monumental libraries and catalogs of labels that have been created a long time in the past. We are able to truly put into our M&A technique with them to proceed to put money into their enterprise.
“And now with all the info, we’re in a position to truly determine precisely what the viewers and what the patron truly desires in these markets, whereas earlier than, we have been operating an working blindfold when it comes to the route during which we have been going.”
5. UMG’s analysis exhibits that international music subscriptions grew simply over 9% in 2024.
UMG’s management group have been requested a pair of questions by Guggenheim Securities’ Michael Morris, in regards to the tempo of Recorded Music subscription streaming income development, and the progress being made on the rollout of superfan tiers at streaming platforms.
Michael Nash, UMG’s Government VP & Chief Digital Officer, defined that UMG’s “up to date client analysis within the international subscription market tracks to the monetary outcomes” that UMG has simply reported.
As reported final week, the corporate’s recorded music subscription revenues hit EUR €4.624 billion yearly, up 9.1% YoY.
In the meantime, in This autumn 2024 (the three months to finish of December), UMG’s subscription streaming revenues from recorded music have been up 9.0% YoY, to EUR €1.227 billion (USD $1.33bn).
Added Nash: “Our analysis exhibits that international subscriptions, which suggests the payers, grew simply over 9% in 2024. And when it comes to geographic combine, 45% of [the] present subscriber base is within the developed markets and 55% is now sitting within the high-growth markets, together with China.”
Nash added that the corporate sees “some foundation for much more optimism when it comes to the growth of the overall addressable market” for international subscriptions in “phrases of progress on superfan and on the super-premium tier”.
Nash additionally confirmed that UMG is “in conversations with all of our companions about super-premium tiers,” including that it’s “going to be an necessary growth from segmentation of the market”.
Nash added that UMG “count on[s] the platforms are going to compete on product with differentiated super-premium tier gives”. He added: “So we’re not essentially on the lookout for standardization there.”
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